
y combustible yet. Dropped this week, the trailer plunges viewers into the turbulence of the 1960s, a period when the nation was grappling with the fallout of Hindi being pushed as the country’s offic
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ge itself or the people who use it as their main language." It is a line that makes it clear that Parasakthi is not interested in demonising a language, but in questioning the power structures that at
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